Pitchfork asks, Are We in a Golden Age of Experimental Film Scores? Featured in the piece are film composers Trent Reznor and Atticus Ross (Patriots Day, Before The Flood, The Social Network), Johann Johannsson (Mandy, Sicario, Arrival), Ben Salisbury and Geoff Barrow (Annihilation, Free Fire, Ex Machina), Clint Mansell (Black Mirror: San Junipero; Black Swan, Happy New Near, Colin Burstead), Jonny Greenwood (You Were Never Really Here, Phantom Thread, There Will Be Blood), and more.
Whether you’re a traditionalist or not, this feature uncovers what it’s like behind the scenes by composers who are an active part of this “golden age.” See the full story now at Pitchfork. What are some of your favorite experimental film scores? Listen to these scores by the featured film composers below!