Lakeshore Records has released Finch—Soundtrack to the Apple Original Film — available now digitally on Apple Music and all major music services worldwide. The original music is by Oscar, Grammy, Golden Globe and BAFTA winner Gustavo Santaolalla (Brokeback Mountain, The Motorcycle Diaries). The Playlist says Gustavo’s scores is “just as epic and beautiful as you’d expect from a feature helmed by Miguel Sapochnik.” Full album details are available below.
He’s a master of both gripping excitement as well as nuance and the score ranges from fully orchestrated, thrilling passages to quieter, richly emotive moments.
Starring Tom Hanks and Caleb Landry Jones, and directed by Miguel Sapchnick, “Finch” premieres globally on Apple TV+ on November 5.
Soundtrack Available Now: [Download/Listen]
Finch (Soundtrack From The Apple Original Film)
- Radiation Exposure / Dewey’s Eyes
- Arrive To Lab
- Imminent Storm / Plan
- Leaving Home
- Drive to Hospital
- Learning to Drive
- Hospital, Pt. 1
- Hospital, Pt. 2
- GY Story
- Ball Throw
- Fare Thee Well
An epic adventure like no other. Stream Finch November 5 on Apple TV+ https://apple.co/_Finch
Tom Hanks is Finch, a man who embarks on a moving and powerful journey to find a new home for his unlikely family—his beloved dog and a newly created robot—in a dangerous and ravaged world.
A man, a robot and a dog form an unlikely family in a powerful and moving adventure of one man’s quest to ensure that his beloved canine companion will be cared for after he’s gone. Tom Hanks stars as Finch, a robotics engineer and one of the few survivors of a cataclysmic cosmic event that has left the world a barren wasteland. Living in an underground bunker for the past decade, Finch has built a world of his own that he shares with his dog, Goodyear. Concerned about a volatile and unpredictable future, he creates a robot, played by Caleb Landry Jones, to watch over Goodyear when he no longer can. As the trio embarks on a perilous journey into a desolate American West, Finch strives to show his creation — which proudly names itself Jeff — the joy, wonder and pitfalls of being alive. On a road trip fraught with challenges and humor, Finch discovers that it’s as difficult to coax Jeff and Goodyear into getting along and trusting one another as it is to navigate the dangers of the new world.
Says Santaolalla: “The possibility of composing and playing for such a wonderful film as Finch was an immediate source of inspiration. The unusual combination of characters and the mix of suspense, action, humor and tenderness laid out a canvas full of possibilities – from big, powerful action scenes to intimate moments where the emotions of the story and characters take over. Working once again with David Campbell as an orchestrator allowed me to move seamlessly from large orchestra to chamber-sized pieces. In this particular moment we find ourselves living, the music for Finch has become very special to me. Happy that finally I can share it with all of you.”
ABOUT GUSTAVO SANTAOLALLA
The renowned and talented musician, composer and producer Gustavo Santaolalla has developed an extensive and successful career. Born on August 19, 1951 and a native of El Palomar, Province of Buenos Aires, Argentina, Santaolalla began taking guitar lessons at age five. In his youth he was part of the massively recognized band, Arco Iris. Since its inception, the identity issue has been one of the main axes of Santaolalla’s artistic vision. During those years Argentina was victim of a violent coup and a bloody military dictatorship. In 1978 Santaolalla decides to settle in Los Angeles. He forms the group Wet Picnic with Aníbal Kerpel, a musician and engineer with who he continues working to this day. The theme “Cocktailed Sky” was one of the first short musicals to be transmitted by the test signal of the emerging MTV. In 1984, with the newly established Argentine democracy, he returns there to perform “De Ushuaia a la Quiaca” a project that brings him together to his soul mate with who he travels all across the country.
Santaolalla’s work with artists like Café Tacvba, Maldita Vecindad, Julieta Venegas, Divididos, Los Prisioneros, etc. establishes him as one of the fundamental pillars of the history of the movement known as Rock en Español.
Years later, together with Aníbal Kerpel and Adrian Sosa (musician and producer), he creates his own record label called Surco, and manages to establish the careers of artists such as Molotov, Juanes, Bersuit, La Vela Puerca, El Peyote Asesino, Arbol, Bajofondo, etc. Between 2000 and 2017 Santaolalla is awarded 16 Latin Grammys and 2 Grammys for his work as a producer, songwriter and artist.
He founds and integrates, Bajofondo, together with Juan Campodonico (musician and producer), and participates in widely recognized festivals around the world such as Coachella, Glastonbury, Roskilde and prestigious venues such as the Disney Hall in Los Angeles, the Lincoln Center in New York, the Royal Festival Hall in London and the Royal Opera House in Copenhagen among many others.
In 2005 he produces a series of albums, book and film entitled “Café de los Maestros,” in which he brings together the greatest exponents of the golden age of tango of the 1940’s and 1950’s.
At the same time throughout his career, he launches several solo albums. “Santaolalla” (1981), “GAS” (1995), “Ronroco” (1994), “Camino” (2014), “Qhapaq nan” (2015) and “Raconto” (2017). The beginnings of Santaolalla as a music composer for films occur in the year 2000. He forges a lasting friendship and an artistic partnership with director, Alejandro Gonzalez Iñarritu, for who he composes the original score for his films “Amores Perros”, ”21 Grams”, “Babel”and “Biutiful”. Later, films such as “The Motorcycle Diaries” by Walter Salles open a path of immense recognition in the film industry, and in 2007, Santaolalla becomes the third composer in history to win two Oscar awards consecutively, for the Ang Lee film “Brokeback Mountain” in 2006, and Iñarritu for “Babel” in 2007.
Meanwhile, Gustavo creates a publishing company called RETINA, through which he publishes collection books of several prominent photographers like Gaby Messina, Gustavo di Mario, Diego Levy, Nora Lezano, Alejandra Palacios, etc. The books “Sangre” and “Potrero” were also given international awards in the book fair in Madrid, Spain.
In 2013, and for the first time in his career, Santaolalla created the music for a video game. The Last of Us, with more than 200 awards, including game of the year, becomes one of the most successful video games in history. Santaolalla was again invited by Neil Druckmann to work on the follow-up video game and the much-anticipated The Last of Us II, released in June 2020.
In 2013 the album “Presente” was released, leading Bajofondo to an extensive world tour of the band.
In 2014, Santaolalla makes the music for the successful and award-winning film “The Book of Life.” Not only composing incidental music, but also writing original songs with the iconic Paul Williams.
2015 finds Santaolalla getting the Platino Award for his work in the acclaimed Damian Szifron’s film “Relatos Salvajes”.
Also that same year he produced and hosted “Qhapq ñan, desandando el camino” a four-part TV documentary released in Argentina. His work in North American television in this period includes his original music for shows such as the popular “Jane the Virgin” and the controversial “Making of a Murderer.” Starting in 2018, Santaolalla began working on the musical score for Narcos: Mexico Season 1, Season 2 and is currently working on Season 3.
In 2019, Santaolalla produced the music for the Los Tigres del Norte Netflix Original documentary & live album, Los Tigres del Norte at Folsom Prison,which celebrated the 50th anniversary of Johnny Cash’s live album at Folsom and includes a Spanish version of “Folsom Prison Blues”. It was followed by the release of Café Tacvba’s second MTV Unplugged celebrating the 30thanniversary of the band.
Recently, Santaolalla was invited by Eric Clapton to perform at the Crossroads Guitar Festival alongside artists such as Buddy Guy, Jeff Beck, Peter Frampton, Vince Gill, John Mayer and Clapton, himself.
Having wrapped up the score for Miguel Sapochnick’s upcoming feature film, Finch starring Tom Hanks in the first half of 2020, Santaolalla is currently working on the animation series Maya and the Three (Netflix), the Spanish television mini-series El Cid (Amazon Prime Video), the final season of Narcos: Mexico (Netflix) and the television adaptation of the blockbuster videogame franchise The Last Of Us (HBO).
Rompan todo: La historia del rock en América Latina, a Netflix series documenting the history of rock and roll music in Latin America against the political and cultural backdrop of the region, directed by Picky Talarico and executively produced by Nico Entel (Sins of my Father) and Santaolalla was released mid-December 2020.