Jeff Beal Releases Soundtrack To Peacock’s Buzzy ‘All Her Fault’ Mini-Series!
Peacock’s All Her Fault min-series starring Sarah Snook is catching a lot of buzz from positive critic’s reviews! To celebrate the soundtrack release from five-time Emmy®-winning composer Jeff Beal (House of Cards), we’re pleased to feature “Milo’s Theme” from All Her Fault–Original Series Soundtrack! The album is out now via Lakeshore Records, and you can listen to the featured track and access the full album streaming links below. Beal’s orchestral score augmented with electronic flourishes and piano creates an ever dark and ominous backdrop to the high-tension suburban-thriller series adapted from the best-selling novel of the same name by Andrea Mara. All episodes of the series are streaming now on Peacock.
Note Beal: “A mystery/thriller combined with smart and rich character portrayals gave me a wealth of dramatic material to navigate. The show is about trust, secrets, lies, friendship, and ultimately the emotional toll of parenthood. I used many colors from my work in this score, especially a string orchestra, electronics, solo piano, and a boy soprano to create music to mirror this tense and personal world. While often intimate in scale, there was often a sense of the operatic in the size of the emotional scope of this unique story.”
The series stars Sarah Snook (Succession), Jake Lacy (The White Lotus), Dakota Fanning (The Watchers), Michael Peña (Tom Clancy’s Jack Ryan), Sophia Lillis (Asteroid City), Abby Elliott (The Bear), Daniel Monks (Kaos), Jay Ellis (Insecure), Thomas Cocquerel (The Gilded Age), Duke McCloud, and Kartiah Vergara.
All Her Fault is produced by Carnival Films (The Day of the Jackal, Lockerbie: A Search for Truth), which is part of Universal International Studios, a division of Universal Studio Group. Megan Gallagher (Wolf, Suspicion) serves as writer, creator, and executive producer alongside executive producers Nigel Marchant, Gareth Neame and Joanna Strevens for Carnival Films, Sarah Snook, Minkie Spiro, Christine Sacani, and Jennifer Gabler Rawlings. Minkie Spiro directs episodes 101-104 with Kate Dennis directing episodes 105-108. Terry Gould serves as producer and Andrea Mara as associate producer.
Buy/Stream the Album: [Choose Your Service]
Listen to “Milo’s Theme:
Track List
01. Milo’s Theme
02. Where Is My Son?
03. You’re Human
04. All Her Fault
05. A Mother’s Guilt
06. Carrie and Milo
07. Peter and Brian
08. Caught On Tape
09. The Motel
10. Jenny and Marissa
11. I Have Your Son
12. A Bit Shady
13. Sam
14. Dreams Deferred
15. Press Conference
16. Undertow
17. Into The Sea
18. Moment of Clarity
19. Reunion
20. What Could Have Been
21. Retribution
22. Ransom Money
23. I’m Carrie
24. Sibling Rivalry
25. St. Marks Flashback
26. Carrie Arrives
27. Late Night Shopping
28. Peter and Marissa
29. Far From Heaven
30. Josie Imagines The Future
31. What Do We Know about Carrie?
32. Detective Alcaras
33. Flashback
34. Questioning The Parents
35. The Billboard
36. Josie Goes Home
37. All that Remains
ABOUT JEFF BEAL
Five-time EMMY® winner Jeff Beal’s improvisatory method, sense of timing, and sophistication have made him a favorite of directors including Ed Harris (Pollock and Appaloosa), David Fincher (House of Cards), Oliver Stone (JFK Revisited, The Putin Interviews), Lauren Greenfeld (The Queen of Versailles, Generation Wealth.) and Rob Reiner (Shock and Awe). His work on documentaries Blackfish, The Biggest Little Farm, Al Gore’s An Inconvenient Sequel, Athlete A, Frank Marshall’s Rather and dramatic scores for HBO’s Rome, Carnivàle, The Newsroom, USA’s Monk, Netflix’s House of Cards, Apple TV+’s Raymond & Ray have shown him to be one of the most distinctive and recognizable composers working today. His score along with the latest song “We Believe in Hope” for Angel Studios’ Rule Breakers, which he cowrote with Joan Beal and Aryana Sayeed, was recognized by the United Nations on July 12, 2025 for International Day of Hope and received the High Note Global Prize.
In addition to his distinguished scoring career, Beal is a prolific composer of concert music. His latest recording, New York Etudes, is a collection of solo piano works, and has already had seven million streams on Apple Classical. Beal continues a flourishing career while battling health issues as he was diagnosed with Multiple Sclerosis in 2006, and these compositions focus on the connection of music making, wellness and mindfulness. He has been featured on NPR, and BBC3 Radio performing and discussing the works, and has been named an official Steinway artist. Recent commissioned works include The Paper-Lined Shack for Leonard Slatkin, the St. Louis Symphony Orchestra and soprano Hila Plitmann, Sunrise for the The Los Angeles Master Chorale, a flute concerto for Sharon Bezaly / Minnesota Orchestra, and Body in Motion, a violin concerto for Kelly Hall-Tompkins.
Beal’s performing, conducting, and composing worlds converged when he led the National Symphony Orchestra at the Kennedy Center for the premiere of House of Cards in Concert. Other performances include Miami, Denmark, The Netherlands (Concertgebouw) and Jerusalem.
Beal has also conducted The Los Angeles Chamber Orchestra in his original score for Keaton’s silent film The General, and the Boston Symphony Orchestra for the film score of Boston, as well as the Boston Pops Esplanade for the live-to-picture premiere of Boston. In March of 2019, he led the Qatar National Symphony in the world premiere of his work The Radiant Pearl, commissioned for the opening of the Qatar Museum in Doha. He also led the Rochester Philharmonic and Eastman Philharmonia in the world premiere of an antiphonal orchestral work The Cathedral, in honor of the centennial of the Eastman Theater. Beal gave his Carnegie Hall Debut in June leading the Silver Nitrate Big Band and Fourth Wall in a concert of his score to The Cabinet Of Dr. Caligari – presented as a part of Carnegie Hall’s 2024 Weimar Festival. This year in October, Jeff Beal premieres two and a half hours of concert music for the silent film Metropolis at Handel Halle Festival in Germany.
Born and raised in the San Francisco Bay Area, Beal’s grandmother was a pianist and accompanist for silent movies. An avid jazz fan, she gave him Miles Davis’/Gil Evans’ Sketches of Spain album that would influence his development as a Jazz trumpet player and composer. In addition to studying both classical and jazz trumpet, Jeff was a self-taught pianist and spent countless hours in the library learning music theory and composition on his own. Encouraged by conductor Kent Nagano, Jeff composed a trumpet concerto at age 17, which he performed with the Oakland Youth Symphony, as well as a number of large ensemble jazz charts that are still in publication today.
It would be across the country at the Eastman School of Music that Jeff would discover both his musical voice, as a student of Christopher Rouse and Rayburn Wright, and the love of his life, soprano Joan Sapiro Beal, who frequently performs his music. In 2015, the couple donated funds for the creation of The Beal Institute for Film Music and Contemporary Media at Eastman. The Beals have also donated to fund the collaborative Music and Medicine initiative at the University of Rochester, having experienced the impact of music on health in their own lives. He lives in New York City.
Watch the trailer for All Her Fault now streaming on Peacock:
Marissa Irvine arrives to collect her young son Milo from his first playdate, but the woman who answers the door isn’t a mother she recognizes. She doesn’t have Milo and has never heard of him. As every parent’s worst nightmare begins to unfold, new questions lead to deep secrets, revealing cracks in the Irvine’s seemingly perfect world until everything is left shattered.
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