That score comfortably played with colors from the past — Michael Nyman–like minimalism, French New Wave lyricism, and elegant orchestration — but with the undeniable stamp of an artist who has something to say. It’s the perfect combination for a series with one foot in film-music history, and one in the streaming future. – Vulture
Emile Mosseri’s exquisite Homecoming Season 2 score is the central figure in this new piece at Vulture, profiling the composer and his big, cinematic composition for the hit Amazon Original Series! If you were wondering what Emile has been up to since releasing The Last Black Man in San Francisco soundtrack, aside from announcing his new band Human Love’s forrthcming EP this summer, then you may be thrilled as a film music fan to dive into this interview and find out how Emile worked to create the sonic mood of this anthology series centered around the mysterious Geist Group.