Tag Archives: The Last Black Man In San Francisco

Scores

Indie Spirit Awards: Lakeshore Congratulates Soundtrack Partners On 11 Nominations!

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Indie Spirit Award Nominees | Lakeshore Records

Lakeshore Records congratulates soundtrack partners American Factory (score by Chad Cannon), Booksmart (score by Dan The Automator), Luce (score by Geoff Barrow & Ben Salisbury), Marriage Story (score by Randy Newman) and The Last Black Man In San Francisco (score by Emile Mosseri) on their Indie Spirit Awards nominations!  In all, there are a total of 11 nominations.  See the detailed nominations below.  Congratulations to all the nominees this year!

The 2020 Film Independent Spirit Awards will be held Saturday, February 8 on the beach in Santa Monica, broadcast live EXCLUSIVELY on IFC at 2:00 pm PT/5:00 pm ET.

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Composers, Scores

For Your Consideration: Emile Mosseri’s Acclaimed ‘The Last Black Man in San Francisco’ Score

 

Emile Mosseri’s score to The Last Black Man in San Francisco is one of the most critically-acclaimed film scores of the year!  As we head into the year’s end, Lakeshore Records invites you to experience Emile’s “exuberant and poetic” (NPR) composition in context with the film.  In collaboration with the film’s director Joe Talbot, Emile shares how he rose to the occasion to deliver a score which “shares the pulse of the film” (Under The Radar). 

For your consideration, watch the brand new video interview to get an intimate portrait of his masterful collaboration with the film’s director, Joe Talbot.   See critic reviews at the jump.

 

Continue reading For Your Consideration: Emile Mosseri’s Acclaimed ‘The Last Black Man in San Francisco’ Score →

Scores

Go Behind The Scenes With ‘The Last Black Man in San Francisco’ Composer, Emile Mosseri (Podcast)| Birth.Movies.Death

The Last Black Man in San Francisco Soundtrack Vinyl - Emile Mosseri | Lakeshore Records

This unique and heartfelt score composed by Emile Mosseri is unlike anything else I’ve heard this year. It’s a nod toward traditional pencil and paper small ensemble scoring that doesn’t reek of a computer’s influence. – ScoreKeeper, Birth.Movies.Death

With the release of The Last Black Man in San Francisco soundtrack on vinyl and DVD, our resident vinyl guru Tony Giles had a chance to catch up with the film’s composer, Emile Mosseri!  Sit back and take in this intimate interview now at Birth.Movies.Death about the score that critics have heralded as one of the year’s best!

Continue reading Go Behind The Scenes With ‘The Last Black Man in San Francisco’ Composer, Emile Mosseri (Podcast)| Birth.Movies.Death →

Events, Scores, Vinyl

Vinyl Signing Of ‘The Last Black Man In San Francisco’ With Filmmakers At Amoeba SF

 

If you’re going to San Francisco, be sure to join us for The Last Black Man in San Francisco vinyl release celebration at Amoeba San Francisco!  The film’s composer Emile Mosseri, Director Joe Talbot and star Jimmie Fails will be on hand to sign your soundtrack vinyl, DVD and Blu-ray purchases!  Be sure to buy your vinyl, DVD or Blu-ray at the store to get into the signing line, so arrive early.  Details below.

“Haunting, elegiac story“ – New York Times

“A 21st century riff on the iconic music that Philip Glass wrote for ‘Koyaanisqatsi’.” – IndieWire

 

The Last Black Man in San Francisco — Original Motion Picture Soundtrack vinyl releases October 18 on Lakeshore Records.

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Home Video, Scores

Interview: Emile Mosseri’s ‘The Last Black Man in San Francisco’ Score | Under The Radar

Mosseri rose to the occasion to deliver a score that shares the pulse of the film, assuming its life force. – Under The Radar

When was the last time a film score continued to haunt you long after you’ve seen the movie?  Charles Steinberg at Under The Radar  talks to Emile Mosseri about his The Last Black Man in San Francisco score, saying “it feels like it sprung full bloom into the story, organically becoming part of the emotional fabric.”  Read the full story now at Under The Radar.

Soundtrack Available Now: [Download/Listen][Order Vinyl]

Continue reading Interview: Emile Mosseri’s ‘The Last Black Man in San Francisco’ Score | Under The Radar →