‘American Hero’ Soundtrack Is Out Now On Lakeshore Records! Download Here: [iTunes]
American Hero Is a Gritty Alternative to the Marvel Superhero Genre – Vanity Fair
The film has its own unique tone, a mix of drama and comedy. Lorne completely defies expectations and goes with a solo piano score that is resonates deeply beyond what you think this movie is. – Film.Music.Media
Lakeshore Records is very pleased to release American Hero (Original Motion Picture Soundtrack) — out now! The album features score by GRAMMY® winning, Emmy and BAFTA-nominated composer Lorne Balfe (Terminator Genisys, Blackwood, Home, Penguins Of Madagascar). Written and directed by Nick Love (Bronson, Executive Producer), the film is brought to you by Vertigo Films, know for such releases as Spring Breakers, Diary of A Teenage Girl, Maggie and In The Shadow Of The Moon.
Screen Media Films presents AMERICAN HERO, in select theaters and on VOD now (find a theater).
The Motel Life is a searing and profound examination of brotherhood set in the timeless Sierra Nevadan frontier. Two brothers, Frank (Emile Hirsch) and Jerry Lee (Stephen Dorff) escape their bleak day-to-day existence by telling each other fantastical stories. Lakeshore Records, who released the The Motel Life soundtrack, spoke with animator Mike Smith about his artwork for the film. Mike Smith was tasked with portraying the imagination of the two wayward brothers. Like David Holmes and Keefus Ciancia’s score for the film, Mike’s images are impressionistic, minimal, and stripped to the heart.
You have been animating for over 30 years, including music videos for David Byrne, Grace Jones, and Bob Marley; and you have animated feature films and animated sequences in Tank Girl and Oliver Stone’s Natural Born Killers. What attracted you to animation?
The endless variety of styles, techniques and interpretations. That is why it is so liberating to work on projects like The Motel Life and get a chance to express something different through the medium. From early on, I realized one could never really exhaust the possibilities to express ideas through animation. I still feel this way today.
Your animation for the film is loose and sketchy, yet it perfectly captures the spirit of the brothers and their stories. It looks like you used very simple tools.
I kept in mind that the animation was a sort-of joining of Frank’s stories and Jerry Lee’s imagination, so I wanted to keep a sketchbook feel to the animation to help us feel Jerry Lee’s presence while Frank told him the stories.
There is a quality one obtains from using the actual rough animation drawings in the final look that brings to mind an unfinished sketch. I felt that one could relate this style of animation to the rough-hewn style of American roots music.
This minimal approach can also be heard in David Holmes’ and Keefus Ciancia’s music. Were you inspired by the music? Did you try to match the sound of it with your drawing style?
While storyboarding of the animation, I listened to American roots music. When the animatics were edited, some of this found its way into the cut as temporary place-holders to help express the flavor of each sequence.
Did you have a goal or idea in mind as to what the animation should look like before starting the project, or did you let it take shape as the film developed?
Originally, I did designs that were much more painterly or more expressive in terms of how one draws with charcoal as opposed to traditional animation pencil line. I decided to keep a rather monotone flavor to everything and have the animation affected by subtle textures and simple shading.
Much of the atmosphere actually comes from the surreal stories themselves and Emile Hirsch’s reading of them. It allowed me to wander visually and break the traditional ways of storytelling.
Do you have a favorite sequence in the film?
I liked the sequence where we imagine a childhood adventure with Frank and Jerry Lee. They encounter pirates, meet Willie Nelson and come-of-age thanks to a bevy of cowgirls.
If you’re a fan of composer David Holmes‘ film scores from Oceans Eleven, then get ready to treat your ears with this latest soundtrack from The Motel Life, out on March 18. The soundtrack features scores co-written by David Holmes and Keefus Ciancia, and a various other music artists. Can’t wait that long?
Pre-order your copy of The Motel Life starting on March 11.
The Motel Life stars Emile Hirsch, Stephen Dorff, Kris Kristofferson and Dakota Fanning. The film score by David Holmes also features songs by The Kills, Townes Van Zandt and Justin Townes Earle.
Don’t forget! You can pre-order your copy starting March 11.
The Motel Life (Original Motion Picture Soundtrack)
Various Artists (Credits updated March 7, 2014).
01. Fighter Pilots – David Holmes and Keefus Ciancia feat. Stephen Dorff and Emile Hirsch
02. Fit To Be Tied – Jonathan Clay
03. Mother’s Message – David Holmes and Keefus Ciancia
04. Roll ‘Em Dice – Buddy Stuart
05. Jerry Shoots Himself – David Holmes and Keefus Ciancia
06. Frank Runs To Hospital – David Holmes and Keefus Ciancia
07. Oil Can – Joe D’Augustine
08. Frank Reads Postcards – David Holmes and Keefus Ciancia
09. Denny’s House – David Holmes and Keefus Ciancia
10. Reprise to Childhood – David Holmes and Keefus Ciancia
11. They Killed John Henry – Justin Townes Earle
12. Frank Packs Drawings – David Holmes and Keefus Ciancia
13. Leaving the Motel – David Holmes and Keefus Ciancia
14. Mr. Mudd And Mr. Gold – Townes Van Zandt
15. Leaving Town – David Holmes and Keefus Ciancia
16. Pirate Story – David Holmes and Keefus Ciancia
17. Give ‘Em Hell – Little Hurricane
18. Reverse Harmonics – Joe D’Augustine
19. Dark Horse – The Long Wives
20. Annie and Frank Walk – David Holmes and Keefus Ciancia
21. Shower – David Holmes and Keefus Ciancia
22. Tell Me a Story – David Holmes and Keefus Ciancia
23. Frank Meets Annie – David Holmes and Keefus Ciancia
24. Wait – The Kills
25. Frank Rejects Annie – David Holmes and Keefus Ciancia
26. Jerry Dies – David Holmes and Keefus Ciancia
27. Aftermath – David Holmes and Keefus Ciancia
28. The Boyfriends – Richmond Fontaine
Based on the popular novel by Willy Vlautin, The Motel Life is a searing and profound examination of brotherhood set in the timeless Sierra Nevadan frontier. Frank (Emile Hirsch) and Jerry Lee Flannigan (Stephen Dorff) work odd jobs, drink hard, and drift from motel to motel.